3.02.2026

American English - no problem

I just started a short segment on my podcast called "American English Minute," based on everyday English that I notice around me in Chicago. A student suggested I start something that explains English here, and I decided to link it to my podcast because I often talk about writing with broadcasting pros.

Today’s phrase is “no problem.”

In the United States, when someone says “thank you,” the other person might respond with “no problem.”
You can hear this in various places, especially stores and restaurants, and in casual conversations. For example, at a hot dog stand, if you ask for extra mustard and say thanks, the worker might say, “no problem.” Or at a store, if you ask for a bag and they don’t charge you, and you say thank you, the person might say, “no problem.” Another example is if you miss someone's party because you're sick, the friend will say "no problem" when you apologize for not coming.

This expression is similar to “no worries,” which has become more common in American English in recent years.
Both phrases are casual alternatives to “you’re welcome.”

If you have suggestions for future phrases, let me know.

2.28.2026

Not using periods

I've gotten into the habit lately of not using periods at the end of a text. I might say, "Let me know what you think of the article. It's sort of long" then send it, not thinking I'm being negligent by omitting the period. It's like I want to keep it casual and soften the end. If I include a period, it would sound final, abrupt, closed. 

I didn't know this was a thing until I saw some articles about it. This one says that people get upset when they receive texts with periods. That's not true with me. I don't care if other people use periods, but I care if I do. If the person is not a native English speaker, I use periods to signal that my sentence is done. But with native speakers, I want to soften my speech. 

There have even been academic studies about periods, and the resulting suggestion is that you shouldn't use them: "if you want to ensure that your messages are received and understood with the level of sincerity you intend, leave the period off the final sentence." Researchers found out that "text message responses to questions that ended with a period were perceived as less sincere than those that did not." Other researchers "observed that the period has taken on a particular pragmatic and social meaning in texting because its use is optional in this form of communication."

I had no idea it's a deep issue; I just started doing it, just because.

Someone told me she uses emojis instead of periods. That's a good option and fun, and even creative. I'm pro-emoji; I like trying to figure out which emoji I should use, and express my emotions when my words may seem flat.

p.s. the e-book version of my debut novel is still at Amazon, and the price for the print version has been reduced: buy at the Eckhartz Press site.

2.24.2026

George Ofman interview: the best story

I recorded this interview with sportscaster George Ofman, which was an update to an interview I did with him ten years ago. He wrote a popular book and now has a new career when a lot of people his age are already retired.

It’s been ten years since I interviewed you. You recently were promoting your book. What was your book called again?

It’s called Tell Me a Story I Don’t Know. It was a compilation of 50 of the 100 interviews I did with top sports personalities with connections to Chicago. That included people like Mike Greenberg, who, along with me, was hired at The Score five days before it went on the air in January of 1992. We were hired on my birthday — December 28, 1991. Michael Wilbon, who of course made his real claim to fame on Pardon the Interruption. Bob Costas. Locals like Adam Amin. Jason Benetti.

Jason was probably the only interview I did that was more of a conversation than an interview. He’s just an extraordinary person. I had a lot of fun doing the podcast. I had a lot of fun writing the book. The book’s been out there for a couple of years. I considered it a success. And basically, that was the end of my professional sports journalism career.

I want to talk about your writing process. How did you learn to write like that?

First of all, I started writing backwards, which was really good. Then I said, you know what, if you start writing forward, it might be a little better. I had some pretty good English teachers in grammar school. I remember particularly a fourth-grade teacher, Mrs. Anderson. She was very much into figures of speech. I learned how to use metaphors and similes and things like that.

But I wasn’t really writing until I got on the radio. I had a different bend to the way I wrote. Sometimes people said I was throwing opinions in there. They weren’t wrong. When I started at The Score, it allowed me to be creative. Print is different. In the book I’m using quotes, but it’s not just quotes — it’s writing around the quotes, writing the story of the story.

News radio was perfect for me. You’ve got to make stories short. You have to use sound. But I always felt the need to be creative. Whether I was subbing for Red Mottlow, working at The Score, WGN, or WBBM, I wasn’t going to change my style. Nobody told me I had to. I wanted to inform people, but I also wanted to do it in a way that was enjoyable to listen to. That format worked perfectly for me.

You established that early on?

Oh yeah. In college. In 1974, when I stepped into the newsroom at Southern Illinois University. I was working at one of their small stations, but when I walked into the main newsroom, I thought, this is where I need to be. Within six months I was named sports director of the radio and television department. It was supposed to be a two-quarter position. They let me do it for six.

Whatever happened, it worked. I kept honing it and honing it. I didn’t have a full-time radio job in Chicago until The Score. Before that I freelanced. I wrote for National Public Radio. Back then NPR used freelancers to do sports. I aired about 150 stories on NPR over 20 years. I worked for the BBC. I worked for the CBC. That writing was a little more straightforward than what I later did at The Score and WBBM, but it was a great training ground. Really solid editors. They honed my writing.

With NPR, did you have more time to tell your story?

Yes. Those stories were usually three and a half minutes. Sometimes five. In three and a half minutes, you can weave in sound and tell a story. At WBBM you might have two minutes to cover multiple items. With NPR you had that time for one subject. CBC sometimes gave me five or six minutes.

When I started in 1980 there was no internet. You called the editor. You unscrewed the phone receiver and attached alligator clips into your recorder. You played your story down the line while talking to the editor. That’s how they edited it. That was the old days. It was great fun.

You covered over 3,500 sporting events. Why did you eventually stop liking covering games?

I got tired of doing games. You go to a baseball game, you’re there nine hours. Evening games, you’re not home until midnight. Near the end, before COVID, I remember sitting at the United Center watching a Bulls team that was awful. Maybe 10,000 people in the building. They were bored. I was bored.

But I still did the job. Nobody would notice the difference. I’m still a pro. It’s just that it became a job. That’s funny to say, because what I did for a living really wasn’t a job. I loved it. But when it started becoming a job, that’s when it felt different. I would have much rather been in the studio. Let me write. Let me do the updates. Let me do interviews. I loved being creative behind the microphone.

You were part of that short-lived station that didn’t last long. How did you deal with that and turn it into something positive?

The Score was already making moves to eliminate sports anchors. Fred Huebner had already been let go. I was going to be next. So the choice was simple — let’s see how this works with Mike North and the group. They had no idea that this fellow named David Hernandez was running a Ponzi scheme. It lasted nine weeks.

In the meantime, I was traveling. I traveled with the Blackhawks to Calgary, Vancouver, Detroit. I covered a Bulls playoff game in Boston. It was a lot of fun until it wasn’t.

By June of 2009 it was gone. It was over. I called Dave Eanet [WGN] and asked if he had any work for me. At first he said no. A week later he called back and said maybe there was a little part-time work.

I told him I had a problem with my voice. I thought it might be laryngitis. It wasn’t. It was a paralyzed vocal cord. I basically couldn’t talk. I could whisper for about four months. I went to the Bastian Voice Institute in Lombard. They tried different methods. Nothing worked. Finally they said they would inject a gel into my vocal cord. I did it. I got about 80 percent of my voice back. It took about a year and a half to fully return.

I called Dave. He still had the job open for me. I went back to work in November.

Then in 2020 you were let go from WBBM.

Yes. July 14, 2020. Cost-cutting. I was 66. I wasn’t done. I’m far from done. I had to learn about podcasts. I didn’t listen to podcasts, but I had an idea. That became Tell Me a Story I Don’t Know. I talked to about two dozen people in the industry about how to put it together. TJ Reeves helped me enormously. I started doing pre-interviews. I monetized it. Vienna Beef was a sponsor for two years. I convinced Triumph Books to publish 50 of the interviews.

I kept that going for three years. Eventually it became a task to chase people. Some would respond no. Most wouldn’t respond at all. I probably could have done more interviews, but I got tired of chasing. So I said, we’re done.

And now you’re on another path.

Yes. I work for Midtown Athletics, which used to be Midtown Tennis. It was the largest indoor tennis facility in the country. In 2017 they did an $85 million renovation, everything except the courts, and added a hotel.

How did I get there? It’s probably the best story of my life. In 2002 I was doing a Saturday afternoon show during the NCAA tournament. On the air I said I had covered four Final Fours but never covered the U.S. Open. I’d never even been there. I said I’d love to go.

After the show I checked my voicemail. A deep voice said, Hello John, this is Alan Schwarz. I’m the vice president of the United States Tennis Association. He said he had heard my show and admired my passion, and he wanted to invite me and a guest to sit in the President’s Box at the U.S. Open.

It was real. He sent the invitations. I brought a friend from high school who loved tennis. We went. Alan Schwarz had built Midtown Tennis in 1970. I didn’t know that at the time. He took us on a tour. That evening we were sitting in the President’s Box watching Serena Williams and Pete Sampras.

Over the years we began having lunch twice a year. For the last eight years of his life we did that — sometimes at a restaurant near the corporate office, sometimes at Midtown’s restaurant, Chromium. In November of 2023 we had lunch. He had just turned 91. I joked with him and said, one day I’m going to come to work for you. He laughed.

Three days later he died. I was crushed. A few months later I called his son, Stephen Schwarz, who is now the CEO. I told him about my relationship with Alan and about that comment I had made. Starting in June of 2024, I went to work at Midtown Athletics. I work with their pickleball and paddle divisions. I’m having a tremendous amount of fun.

If Alan Schwarz hadn’t happened to be listening to that Saturday afternoon show in 2002, none of this happens. Sometimes you create the path. Sometimes the path shows up.

p.s. the e-book version of my debut novel is still at Amazon, and the price for the print version has been reduced: buy at the Eckhartz Press site.

2.20.2026

Took a German break

Honestly, I haven't actively studied German until recently. I pretty much took a break after I got back from Germany last fall, and wasn't really motivated to do anything with it.

Before my break, I had already watched several Easy German videos and was a member, so I got access to transcripts and exercises. Then I went to Germany with their German-learning and activity program, came back, joined a Discord group with some wonderful people from that trip, and eventually stopped going because of the time difference; they were seven hours ahead of me and while it was Sunday or Wednesday night for them, it was daytime for me, when I was doing things IRL. I cancelled my Easy German membership because I needed to take a break. And since I was back in the USA, there weren't any in-person classes near me, and though I met a couple Germans or heard German on the street, it was so minimal here, I just didn't feel it. 

And I wanted to get back to focusing on French, since I'm taking classes, and Japanese, which I study on my own and by watching some NHK shows (with subtitles). And even Spanish, which my ESL students and coworkers speak, and is pretty much the second language here. It also helps that the Spanish-speakers here are very friendly and will speak Spanish with you, even if you're not that great. If you're interested in languages, learning Spanish is the best experience and is practical, as well. 

I've been watching Easy Italian before going to Italian class and was thinking, wow, what a friendly culture with a beautiful language. So different and seemingly easier than German. Then it hit me: other than reading and sometimes translating tweets on Twitter/X, I hadn't studied German nor looked at Easy German videos for four months. I think it was because some of the people in the Easy German videos were more like media talent than educators offline (and I've worked in both media and education, so I know the difference), and I didn't really want to see them in videos for a while, and I didn't really want to deal with the difficulties with German for a while, either. I just didn't expect that "while" to last more than a few months.

Now I'm over my disillusionment and dread of complex and wordy German challenges, and I'm definitely motivated to keep trying. Earlier this week I had a couple hours before I had to go outside, so I watched 1.5 hours of Easy German videos. Today I plan to read some entries in Meyers Kinderlexicon and probably do stuff in my textbook from GLS (where I studied in Berlin).

p.s. the e-book version of my debut novel is still at Amazon, and the price for the print version has been reduced: buy at the Eckhartz Press site. 

2.12.2026

I might be back

I've been talking to some people about what's been going on creatively. When I started this blog, I had an outlet to express myself (social media didn't dominate), but then it led to paid work. All people had to do was an online search and find me, or I could show them what I was writing. So I got hired to write articles, blog posts, and even helped write a couple of books. None of it was under my name and I didn't care because I was being paid. 

Because I'm not an introvert, I tried to find people-oriented jobs but kept getting isolating ones. I even didn't pursue certain opportunities because I just wanted to be me and talk. Someone I'd written a lot for said I should teach writing, and they even said they'd help set me up because they had a lot of connections. I said no, which was probably not a good idea, because I didn't want to think it through or manage people, just write. 

And an even better idea that I passed on was writing a textbook. I was a writing instructor at a university, and a publisher's rep came to the school to talk about books. I asked if there was a book on business writing, and she said, "No...do you want to write one?" I said I wasn't qualified to write one, but wanted one for my class. I could've written it! I had already done a lot of business writing and could research what I didn't know. I could have interviewed lots of business pros to share their insight. I had an opportunity but was too insecure and modest to accept it. Now it is almost impossible to get published. But I don't regret that decision. 

I'd rather talk about what I really know than talk about something that's on my periphery, becoming an expert just through scaffolds, not through substance. I see that in various areas, which is probably made easier with social media.

Anyway, I was working at home so much (way before it was trendy) doing translation and writing and editing, that I needed to connect with the world, and decided to do it through this blog. Then I got busy with being paid for what I was doing, working in media and podcasting, which led to more gigs, until I was thinking a lot for other people instead of myself.

When I stepped back from the chaos, I couldn't write much creatively or introspectively, and I thought those days were over. Then I started thinking and noticing more, read about how people get ideas, and started thinking that it's okay to produce something that won't make money, get noticed, or get an award. It's okay to create without the payoff.

That's why I'm thinking, "I think I'm back," because I feel like I can do my own thing and not worry if "it matters."

p.s. the e-book version of my debut novel is still at Amazon, and the price for the print version has been reduced: buy at the Eckhartz Press site. 

2.10.2026

There is entrepreneurship going on

I was looking for a site that translates Modern English into Old English for a tweet I was constructing, and found the Old English Translators site. I looked around the site, and it didn't seem like it was created by a history fan or linguistics professor, so I wondered what it was about. It was created by a company last year, owned by a guy in Canada with a Chinese name. 

The testimonials seem to be from real people, and the site has good information. But since it doesn't seem like home-made, or an intense blog, it makes me wonder if the company is creating a niche online, building something different, because the internet is so crowded with content already.

If I remember, I will check in some months to see what's happened to the site. Maybe a bigger fish will swallow it to get access to its technology and concepts.

p.s. the e-book version of my debut novel is still at Amazon, and the price for the print version has been reduced: buy at the Eckhartz Press site. 

2.06.2026

Faux French: the accent aigu

I wonder if French speakers living in the U.S. have noticed how some businesses don't use the accent aigu (é) correctly. I've seen it mistakenly used on various signs and surfaces over the years, and saw one the other day (unfortunately, I didn't take a picture; I'll post it when I have it).

Many years ago, I bought a dress at Gigi's Closette. The sign has been fixed since then, but when I first went there, they had an accent aigu on the final "e." I knew enough French to know that wasn't correct and wondered why they did it. Sometimes I theorize that people are trying to be "fancy" or sophisticated or worldly by using the é unnecessarily.

Amazingly, I was able to find an image with that old spelling at an online seller:

accent aigu

p.s. the e-book version of my debut novel is still at Amazon, and the price for the print version has been reduced: buy at the Eckhartz Press site.

2.03.2026

I'm taking an Italian class

I studied Italian in the late 20th century while I was getting a master's and even got paid to translate it. Then I pretty much dropped it for several years, but started reading it on my Twitter/X account during the pandemic. Then I finished the Duolingo course last year. But I sort of treated it like an auxiliary language because it wasn't as important as French, German, Japanese, and Spanish. 

Towards the end of 2025, I started thinking it more often and even started watching Easy Italian more. It seemed like such a beautiful language with such friendly people that I wanted to know more. So when my scheduled opened up, I signed up for the "Absolute Beginners" course (A1.1) at the Istituto Italiano di Cultura and am two weeks in. 

At first I thought it was too easy because the teacher speaks English and Italian in class, and the book is in Italian and English; I prefer to have an Italian-only textbook. So the class seems really basic, but I don't even know the entire alphabet and numbers! So I really have to be in this level. The teacher is clearly well-educated and can articulate her teaching methodology and philosophy. She is also really patient and seems to like people; teachers should like people, but as I've said before, not everyone who works with people likes them.

I think part of my problem with Italian was that I had a teacher several years ago who was not very simpatica. She seemed to be annoyed because she kept comparing us unfavorably to students she taught at a prestigious school. And she just didn't seem to like people. That was confirmed when I signed up for lessons at her home, where she ran a kind of Italian-related business, and she wasn't very pleasant or inclusive. 

I know we shouldn't base our experience on just one person, but back then there weren't a lot of options, and I didn't want to try to figure out where to go. Plus my schedule and work focus changed, so I really retreated from pursuing foreign languages much.

Now it's much better! The students are friendly and at first I envied some students' knowledge of Spanish, but the teacher clearly told us to put our Spanish to the side and just focus on Italian (good thing my Spanish isn't so great). The ItalCultura school has a good vibe, and even the Italian consulate is cool. It makes me want to go to Italy even more!

p.s. the e-book version of my debut novel is still at Amazon, and the price for the print version has been reduced: buy at the Eckhartz Press site.

1.30.2026

Not Thai?

I've been watching the British detective show "Grace" (which has a super-serious vibe and aesthetics that remind me of Nordic noir), and noticed a possible language flub in Season 2 Episode 2 "Dead Man's Footsteps." I say "possible" because it was in the background at a Thai airport in the public address system, so I had to watch it a few times and even used Google Translate to capture it, just in case I was wrong. But I don't think I was.

I don't speak Thai (except for à¸ªà¸§ัสดี-ka and à¸‚อบคุณ-ka), but I know what it sounds like because I went there a few times for long stretches, and the announcements sounded like Chinese, possibly Mandarin, not Thai. I even heard the word "Taiguo" 泰国 which is "Thailand" in Mandarin. Like Japanese, 国 is "country," and I know that "guo" is country in Chinese. I already knew how to say "China" in Mandarin (中国 Zhongguo), so when I heard "Taiguo" it stuck out to me, so I kept re-playing the scene and then used Google Translate a few times. I kept hearing various Mandarin words, and 泰国 kept popping up in the app's translation in addition to other Mandarin phrases. So of course, I wanted to bring it up here in my blog, especially because I can't find another post about it online to confirm if anyone else noticed it. 

Since Britain consistently produces excellent shows, I was surprised they wouldn't use Thai in the airport's PA system. It made me wonder how language decisions like this get made in production, and why they'd decide to use Mandarin instead of Thai. Were there any discussions about this before the episode aired? 

If I were working on that show, I would've brought it up; if a show is going to convey authenticity, then they should take languages seriously, especially since this show has a serious vibe.

p.s. the e-book version of my debut novel is still at Amazon, and the price for the print version has been reduced: buy at the Eckhartz Press site.

1.12.2026

Craig Dellimore interview: the last time I was at City Hall

I recorded this interview with reporter Craig Dellimore at Chicago City Hall in 2018 and never posted the full transcript. I’m sharing it now as context for a newer audio interview, which you can listen to here. I wanted people to see what he experienced, and how he was treated.

How long have you been working here?

Well, at City Hall, I’ve been here doing the political editor’s job since 2001, so about 17 years. But I’ve been with WBBM Newsradio since 1983, so it’s been quite a while.

So you started when you were, like, ten?

You’re so kind. No, I was in my twenties and already pretty well into my career when I got here. It was a very different place then, and I arrived right when Harold Washington was starting to look like a serious candidate for mayor of Chicago.

How was it a different time? What was different?

So much has changed in Chicago politics in the last 35 years. What people thought of as the Democratic machine—the power structure that held the city for so long—was weakening. That’s why someone like Harold Washington could rise and become a formidable candidate.

My first assignment was man-on-the-street interviews after people felt Harold Washington won the first three-way debate between him, Richard M. Daley, and Jane Byrne.

On TV they always showed those chaotic meetings. Was it really that crazy in real life?

It really was that crazy. I wasn’t political editor then, but it was a wild time. Real battle lines were drawn. During the primary you had Daley, Jane Byrne—who had run against the machine but then became part of it—and Harold Washington, this upstart congressman.

When Washington became mayor, 29 aldermen banded together to block anything he wanted to do. People called them simply “the 29.” City council meetings were raucous—sometimes good-natured, sometimes bitter.

There was a Republican candidate, Bernard Epton, whose slogan was “Before It’s Too Late.” If that wasn’t a racial dog whistle, I don’t know what was. So the kind of racial and divisive politics people talk about today is nothing new.

So it really was racial? Were people saying racial things?

The candidates avoided overt racial statements, but regular people certainly made them. Harold Washington was good-humored, fearless, very bright, and well-spoken. He could be eloquent or plainspoken—saying things like, “Politics ain’t beanbag. It’s a tough game.” He was ready for it.

If someone shouted that they hated him, he would walk over and talk to them. There’s a photo in the press room of him smiling beside people holding anti-Harold Washington signs, and they’re smiling too. That was his power.

He was also the right candidate for the moment. African-American and Latino populations were growing, and lakefront liberals were looking for a champion. He might not have been perfect, but he was perfect for that time.

Did things ever calm down before he died?

Yes. After the initial turmoil, more African-Americans and more liberal aldermen were elected. Washington finally had the votes he needed. Unfortunately, he died way too soon. Even some of his opponents liked him.

I remember Edward Burke, the leader of the 29. There are recordings of him and Harold arguing on the council floor, but when one of them scored a point, they’d laugh. Burke once talked about winning money at the racetrack on a horse named Harold. Washington said he ought to get a cut. Burke said, “That’s what I’ve been trying to tell you—share the wealth.” They laughed and went back to work. Things had calmed down somewhat, and Washington was getting things done. Then that Thanksgiving week, he died.

He stayed that humorous and warm? It wasn’t just for campaigning?

No—he was genuinely funny. For about two years I was managing editor at WBBM, and around that Thanksgiving season he knew me because he did a monthly program called “Ask the Mayor.” He took calls from citizens and handled it wonderfully—he and Governor Jim Thompson were the two best at it.

One evening he came in and saw me working late. I told him I was managing editor now. He congratulated me and asked where my office was. I said I didn’t have one—I just sat at a desk. He asked if it meant more money. I said no. He leaned in and whispered, joking, “They do that to the first Black anything.” That was Harold—always funny, always accessible.

So you were the first Black managing editor?

Yes. But the station already had a history of diversity. I was the third African-American staffer at the time. It wasn’t treated like a historic event.

Did you have any problems in your job because of race?

No. Not at that point. Earlier in my career maybe, but not then. We were entering a new era. The bigger issue was covering the news fairly across all parts of the city.

What’s an example of being fair?

Crime coverage is always a struggle. If you cover every crime in an African-American neighborhood, you can make it look like a war zone. But if you ignore those crimes, you imply they don’t matter. And if someone is robbed downtown, we cover it; if someone is robbed on 47th Street, we should care equally. You balance it. You listen to what communities say matters to them—education, for example.

You said things were worse before the 80s. What did you mean?

We were coming out of the civil rights era and anti-war era. The riots happened in my lifetime. Newsrooms suddenly realized they had no Black reporters to send into Black neighborhoods, so they hired—but some people complained that hires were “just because they’re Black.” That attitude always exists.

When I was hired, I’m sure some people thought that. But I had worked at the AP for years. People knew my work.

How do you deal with doubters?

I ignore them. You erase doubt by doing your job well. I’m political editor—I’ve had a good career.

How did you get to this point?

By doing the work. I’ve had many jobs—legislative reporter, federal building, courts, Springfield. We used to send a reporter to Springfield weekly; for a while, that was me. Terrible drive—three hours of the flattest land you’ll ever see—but good experience.

I became suburban bureau chief. Funny title, because I was the only one in the bureau, but it worked.

What kinds of things did you cover in the suburbs?

Everything that happens downtown, but less noticed. Most listeners live in the suburbs. We launched the beat with a 15-part series on transportation. But transportation touches housing, poverty, homelessness, development.

If people work somewhere they can’t afford to live, they need transportation. People cleaning office buildings in the suburbs often can’t afford to live there.

We did a series on gangs. Yes, there are gangs in the suburbs. Naperville, which is usually low crime, has had a triple murder and a quadruple murder. Issues exist everywhere.

What about the relationship between suburbs and city?

It’s changed. Mayor Daley worked closely with suburban mayors—airport noise, transportation, rail corridors. Now there’s more isolation. Competition for federal dollars is tougher. Companies move into Chicago from the suburbs more often now.

Why are companies moving into the city?

Lifestyle, transportation, workforce, schools. People moved to the suburbs because the city felt too dangerous or too expensive. But affordable housing and lifestyle changes brought people back. On Friday night, do you want a long drive to a quiet suburb or to stay downtown?

The city is also marketing itself aggressively.

Is that because of the mayor?

Not just the mayor. Competition in general.

After the riots in the 60s, a lot of people left the city. Why?

Many reasons: crime, fear, schools. Chicago’s school system used to be considered one of the worst. Reforms improved it. Scores went up. Diplomas have more value. Some neighborhoods still lag, though. That’s why diverse newsrooms matter—you hear what communities are really concerned about.

How is New York different from Chicago?

Faster pace. Unique energy. I grew up there; we still visit yearly. In a disaster, New York is the place to be—New Yorkers see the problem and say, “Okay, let’s deal with it.”

Do you have an example?

During the big blackout in the 70s, traffic was snarled. Two guys drinking beer on folding chairs watched it, then put down their beers, walked into the street, and started directing traffic until everything flowed again. Classic New York.

It’s also dirty—because no alleys. Chicago is cleaner thanks to alleys.

Did you see looting during the blackout?

Yes. Opportunistic. Police couldn’t be everywhere. I was a news writer then. Hard-wired phones still worked. I walked miles to get to work. All hands on deck.

How did you end up coming here from New York?

Combination of things. I married someone going to law school in Washington. I moved there. Met people at CBS who pointed me to the AP. I worked there.

Years later, there was a prison riot at Sing Sing. Our reporter had been on the air nonstop. They sent me to relieve him. When I got back, Joe Durso—now news director at WBBM—had heard my coverage. He flew me out, showed me the station, and offered me a job. I accepted.

It really worked out for you—you have one of the coveted jobs.

It is fun. Mike Flannery once reacted to someone saying they should cover less crime and politics by saying, “This is the Vatican of politics.” Perfect description.

Chicago politics is rich, intense, and endlessly interesting. Working with reporters like Fran Spielman and Bill Cameron is a joy. It becomes a family.

How do you interview people you disagree with? Or people you think are corrupt?

That’s the job. You challenge facts without yelling. If someone claims massive voter fraud, I’ll point out that audits found almost none and ask where they got their information. If they say they’re “just hearing it,” that speaks for itself.

You don’t assume everyone enters politics for bad reasons. Most think they’re doing good.

What about corruption—ghost payrollers, mysterious jobs?

Lobbyists exist, but that’s not the same as elected officials. Some officials enter expecting riches, but most don’t get rich. Most intend to do good. The system is complicated. Politics is three-dimensional chess—more about power than money.

Was Mel basically preferring corruption?

He was part of a system that thrived on it. To get things for his ward, he had to work within that system. He openly talked about the old days—stuffing ballot boxes, job patronage. For him it was about getting jobs for “our guys.” Jobs fed families. Families sent kids to school.

Is it true dead people used to vote in Chicago?

Yes. Fewer now. Vote stealing absolutely happened, but modern systems make it much harder.

So Chicago is becoming Mayberry?

Never. Chicago will never be Mayberry and wouldn’t want to be. Cities like Chicago thrive on being tough, elbows-out places. People move to places like Kane County thinking they’re escaping the world, but the world follows you. New problems, new strengths, new communities.

Do you think things have gotten worse culturally?

It ebbs and flows. There’s incredible good—people helping strangers. But also bad—like people using the N-word in what they think is polite conversation. Politics in recent years made some people think bullying equals free speech. That part is worse.

But the potential for good is always there.

Can you give an example of hearing the N-word in “polite” conversation?

Yes. I was covering a barricade situation in Berwyn. My phone wasn’t working. A woman standing next to me said I could use her phone inside her house. She was very kind. I filed reports from her living room.

As people came home from work, one neighbor asked what was happening. The woman said, very casually, “A couple of n——s are holed up in that house.” I was standing right next to her. She didn’t realize she’d said anything offensive. For some people, that word is simply part of their vocabulary. Sadder than when it’s said in anger.

How do you handle situations like that?

It happens rarely now. But if it’s direct, I don’t back down. I tell people to stop. This stuff still occurs—in city departments, in politics. Some people justify it by saying, “Free speech—we can say what we want.”

What makes a good reporter?

Listening. Really listening. Not planning your next question while they talk. I always have a list of questions, but often the real story comes from something unexpected they say.

Writing is vital. You’re explaining the world to people. You should always be learning.

How did you learn to write well?

Good teachers—hard-nosed ones—in English class and journalism school.

What about being on TV?

I appear occasionally, usually on Channel 11’s “Week in Review.” It used to scare me; now it’s fine. TV requires different skills. You’re self-conscious about how you look, where you’re looking, how long you pause. I bring notes for names and numbers.

What advice do you have for people who want to do what you do?

Internships—wherever you can get them. And get a job doing the kind of work you actually want to do. If you want to be a reporter, get a reporter job. If you can’t get one in Chicago, go to Peoria or anywhere else, learn the craft, do it well. Then you can come back—or you might end up somewhere unexpected, like L.A. on TV.

Do the thing you want to do. Get good at it. Let that take you to the next step.

p.s. the e-book version of my debut novel is still at Amazon, and the price for the print version has been reduced: buy at the Eckhartz Press site.

1.01.2026

Got the flu and reflected

I've been getting flu shots for like 15 years and did not get the flu until mid-December. It happened at the perfect time because my break had just started, and a project management class I was taking had just ended. Because it was a credit class, we had exams and a huge term paper due. At times it felt like a part-time job because achieving an A required a lot of work. A retired person who'd had a very successful career told me I shouldn't worry about getting an A, but I like to do the best job possible and then list it on LinkedIn :p

My temp reached 102, and I couldn't do anything other than wait it out. I spent four days lying around inside, and was ecstatic to emerge on day 5. Being too sick to do anything made me realize more than ever that I definitely do not like spending so much time at home and like to be out in the world, because as I've said before, I am not an introvert. I would probably have a much easier time living in modern society as an introvert because wanting to talk to people is almost counter-cultural at this point. 

And wanting to talk to people about anything is especially seen as weird. I've met people who use superficiality to hide something, like their real motives, their real background, or their misery. Other times a mere comment or question can send someone scurrying to their phone, and people also have earbuds in at all times to avoid any interaction IRL. Even just talking about the weather causes them to retreat.

I did a search online and found this long, thoughtful post about socialization and avoidance: texting allows control that real-life interactions don't allow because you can't undo, delay, or edit what you say. Headphones are used as a kind of "emotional shield...[to] feel protected, invisible, or unreachable," and phones offer similar protection. 

Sitting around so much made me realize that I really like people and want to connect with people, even with just a brief conversation in a store or wherever. It's great when I meet similar people, and it's like a buzzkill when I don't. Usually I don't dwell on a negative or anti-social interaction, but the couch made me think too much about it, which is why I was so glad to get outside eventually. Just seeing cute dogs was better than isolation! 

Another thing I thought about while on the couch all day is the value of good workplaces. I kept rehashing messed-up workplaces I worked in and how I never want to be exposed to such bullying, ostracizing, or unfairness again. Right now my work situation is really good, and I don't want to mess up my life by being a lone ranger trying to survive another toxic place. I refuse to do that anymore, and my great health has proven that I made the right decision to avoid bad people and harmful environments. I won't even tolerate dysfunctional or mean people in my personal life, and it's proven to be an effective strategy because 2025 was one of my best years ever, and I'm the healthiest I've ever been.

What's good about being really sick is that you can make decisions to reset. I probably thought too much and the thoughts at times were unproductive, just swirling around without a resolution. It's probably because I wasn't socializing, so I had pent-up energy that was ending up in dead ends. When I started interacting with the world again, I entered wiser and really appreciative of freedom and health. Looking forward to a good 2026!

I was planning on posting this before 2025 ended, but now it's 2026...Happy New Year!

p.s. the e-book version of my debut novel is still at Amazon, and the price for the print version has been reduced: buy at the Eckhartz Press site.